Bjorke - I don't really think you're gettin where I'm coming from. You're paraphrasing an earlier post 'out of context', not to mention the fact that I think you have some fairly romantic ideas about the discourse of visual art. But anyway - there comes a time one is just beating one's head against a wall...



Quote Originally Posted by bjorke View Post
What you wrote:
Which was quoted out of context (why I said "non sequitur"). Still -- the idea that closeness disqualifies art is imo a horrible sentiment. What distinguishes art from craftsmanship (don't forget, we're discussing images here that are clearly being received as "art"), at least since the 1800's, is the idea of the artist's personal internal emotions, discoveries and realizations finding external outlet. There is no "too close."
Light on the surface is ultimately all you get. The photographer needs to confront this fact when making pictures, whether through direct action of the power of chance. Whatever your greater purpose, you own it to the work itself to do whatever you can, whether it's Mann's watery idylls or even journalism (Natchwey: "I need to make pictures that are eloquent")

BTW, Jessie Mann is on the back cover of SHOTS 95 ("Books-Words"), and inside too. So is Sam Portrera:


Sam Portrera, March 2006

Too close?