Quote Originally Posted by sanking
I have the contrast controls for the two processes adjusted so that I can use kallitype to proof for Pt./Pd. so that all I have to do is make the best kallitype possible, then change the exposure to reflect the fact tht Pt./Pd. is slighly less sensitive. This procedure is especially useful when making large prints.

From your article: "Finally, a well-made kallitype, when toned with platinum or palladium, is for all practical purposes identical in tonal range and color to a true platinum or palladium print."

What do you prefer in the pt/pd print versus the kallitype?