Putting aside value to collectors and archival consideration it is my opinion that when the prevailing consideration is purely aesthetic the preference of the artist trumps all other consideration. Many people prefer the high Dmax and wide range of densities seen in silver gelatin prints on glossy and semi-gloss papers, while others are much more drawn to the qualities of alternative prints on textured surface, which typically have a much narrower range of densities and lower Dmax. This is a purely subjective preference for one kind of media over another. It is ridiculous to assert that one media is better than another because of personal preference for a kind of look.
Originally Posted by mrcallow
The same is true of color prints. Some people love the glossy look, wide density range and very saturated colors of cibachrome prints. Prints made with the old three-color carbon and carbon processes are unique in that they have a kind of three-dimensional quality but unfortunately many color carbon prints made with the more recent Ultrastable process were placed on white mylar final supports and have the same place mat look of glossy cibachromes. Dye transfer printing offered much more control of color than any other process but in the end the look is not all that different from that of a c-print, and if displayed in the light, they are not that much more stable. Prints made with inkjet printers on fine art papers using pigmented inks in turn have an entirely different look. I have personally made c-prints, ciba/Ilfochormes, dye-transfers and three-color carbons and carbros, as well as color inkjet prints, and I have had some made on Fuji Crystal Archive so my prefererence is based on considerable experience in looking at prints made on different media
My personal opinion is that the most unique and beautiful of all color printing processes is three-color carbon, especially when the final print is made in the traditional way to maximize relief. After that I like the look, in this order, of other types of color prints.
2. Inkjet prints made with pigmented inks on fine art papers.
3. Fuji Crystal Archive
4. Dye Transfer Prints
5. Regular c-prints
6. Ciba and Ilfochromes
You can probably surmise from the above that I am relatively indifferent to the passing of Ilfochrome. The only good thing I have to say about the Ilfochrome look is that my disgust for it (Cibachrome) some twenty or more ago was the stimulus that initially got me involved in three-color carbon and later other types of alternative printing.
Metamerism, BTW, is not a defect of inkjet printers. It is a characteristic of virtually all prints made with pigments. You see it in color carbon and carbro prints as well as in inkjet prints made with pigmented inks.
Last edited by sanking; 09-24-2004 at 05:17 PM. Click to view previous post history.