Quote Originally Posted by craigclu View Post
I love the fine grain, midtones and controlled highlights but the shadows are so dead and empty for me. My blue channel (I don't have UV) curves bear this out, too. I really feel that I have given this soup a fair amount of trial and by the time I get shadow detail to emerge, I'm at extremes of the curve and struggle to get tones to paper as I would like. Is anyone else struggling with this? This developer seems to have people very polarized as to their affections for it. If I could solve my low zone density issues, I would love the stuff. I'll admit to not being a soot and chalk fan so perhaps I'm more sensitive to the behavior?

Can people who are using or have used 510-Pyro let us know if you also have concerns about the shadow detail in your prints ?

regards
Peter