Michael said that the prints were not on aluminum. That does not preclude the possibility that the paper is temporarily affixed to aluminum or some other rigid support and then separated once the printing is completed. I believe this is the method used by Keith Taylor in the large color gum prints.

Sandy King

Quote Originally Posted by Bob Carnie View Post
Interesting that they do not use aluminum, I am wondering how they get around the inevitable stretch , shrinkage that happens when paper is wet, It is possible that the multiple hits are accents*skelatin films as you suggests, One hit for detail which basically is what happens in the L channel if you work with LAB and a slight blur for the other mask much like one does to the A & B channels in LAB for colour work.
getting these separations*or as I would describe as detail and then accent films would be quite easy on a Image Setter or Light Jet.