No offense intended Nicholas but that's ridiculous. Once you've nailed down your base exposures midtones can be adjusted by dodging during either the 0 or 5 exposures and then burning in with 0 or 5 later on. I've found it an incredibly precise way of controlling all aspects of a print, including midtones. Simply a different way of getting there.
Originally Posted by Nicholas Lindan
Of course I'd be happy to show you prints that demonstrate this should we meet up again.