I have to disagree with you, In North America every photo school as well as every photo lab , as well as professional photographer darkroom that I have encountered has a 4x5 set up as normal.
For a young photographer, If Nicole decides to intern or work in the professional world , being competent with a 4x5 enlarger is an advantage for her.
I have been using 4x5 since 1973 photo college days, in fact using the same brands, omega, durst and deveere. all 4x5 and above that I use today.
They all deliver the power to create decent time and apeture when making fine art prints.
As Lee pointed out , the question was asked and we responded.
On a practical note, I recently accepted and young man from sery. small village near geneva (switzerland) to work here in Toronto for 10 months. His first main learning curve was how to set up the various enlargers. We have 17 different analog enlargers all 4x5 - 11x14. I would have been extremely pleased if he knew how to set them up , rather than having to teach him.
Funny how quickly he picked up on using the gear even though he had never been in a analog darkroom in his 20 odd years