I have often wondered why more people appear attracted to wet plate collodion negatives than to making gelatin dry plate negatives. Is there some special image quality in the wet plate collodion negative, or is it just more difficult to get an even coating with dry plate negatives?

Sandy King





Quote Originally Posted by dwross View Post
The glass negatives that Burton used were gelatin dry plate negatives. 'Glass negative' can also refer to wet plate collodion negatives (I believe Chris is referring to these when he says there are many who still pour and shoot glass plates.) As opposed to collodion photography, you don't need much in the way of special equipment for gelatin dry plates. You will need a plate holder, but they are easily made from old wooden film holders.