While I'm sure it's not as reliable as contact prints, I've been [whisper] scanning [/whisper] my negatives (shooting almost 100% 6x6 MF) to blow them up and see what I think of the composition and spot the elbows and clutter I missed when shooting. Then I pick the shots that look promising and print them in one session, usually making prints about 5 inches or so square -- that allows cutting an 11x14 sheet in half and getting a few test strips plus two prints. I make a lot of notes during that process. The test print stack gets winnowed down to the very few I think are possibly exhibition worthy. I then have a second printing session to make bigger prints of those. So far it's a big year if I have six darkroom sessions, but such stuff is expensive, so I'm going for quality, not quantity (plus I have other obsessive hobbies ).
As an example, a 36 exposure morning at an old iron furnace got winnowed down to four framed prints. But three were juried into shows and one of those won an award -- I've no complaints about that!
As I get some other projects out of the way and get time to bring the darkroom up to better efficiency, I will probably do a little more work in it.