Thanks for reviving this thread, Daniel. Your latest prints are sublime (as they always are, and I am mad that I didn't get to see you at Photostock this year.... ).
Here is one of my examples. It is different from most examples here in that I actually remove detail from the print in the printing process, mostly to focus on the main subject matter.
The negative is Kodak Tri-X 400, time exposed in a Holga and a cable release. Processed in Pyrocat-HD to give me more printable highlights.
Print: Printed, slightly cropped, on Fotokemika Emaks G3 paper using Arista Liquid lith chemistry at 1+1+14 dilution, overexposed 1.5 stops in the enlarger for an increase in contrast compared to a straight print. The center portion of the sky was dodged with a round card for 15% of the exposure, and it looks a bit clumsy perhaps and that's because of the filter I used on the camera. It's a filter that's clear in the center and diffused on the edges.
The print was further burned in about 40% along the bottom, and the top left corner was evened out with a slight dodge as I wanted the flow of the image to resemble an 'S' from top right to center bottom, but without too much emphasis on the top left.
The center of the image was kept intentionally lighter, because I wanted that brilliant light to really hit hard, and the bridge was turned into more of a silhouette at the burning stage.
The print was eventually split toned in sepia and selenium.
Thanks for a great thread that I missed the first time around.