What I meant was synecdoche. I'm big on the part for whole idea. Not necessarily photographing the stereotypical "all hands on deck" but what if, rather than shooting something/someone, focus closely on one feature or part that is very expressive. I tried this once with Disney Hall, and rather than just shooting the building as a whole, I got really close to a specific curve of the building. The results can be great, because every image becomes a study in line/form. How does the clarified idea float, Tim?