Hi Ektagraphic,
I just went through a similar realization. I got really into Galen Rowell's type of work, it inspired me, and in that vein I shot nothing but chromes for my last two years in Alaska. At the time, I loved getting my rolls of slide film back, and pouring over them with a loupe on a light table. Now that I want to print them...well, let's just say scanning is not my favorite thing. (That's why I'm on APUG - I just don't enjoy the digital imaging process as much.) As good as that slide looks, it just won't look the same in a regular print. It's the transmission of light through the transperency, vs the reflected light from a print that has us so hooked on that slide look. But what do you really share with more people: slides in a box in the corner, or large prints on the wall? So I've decided that from now on, I'm shooting all negative films, exactly for the reason of the optical printing path. It's a fun hobby that I'd like to participate in as long as it's available.
Best of luck,
Jed