Tom Stanworth's thoughts echo my own. The paper is whiter but the image is slightly warmer (richer) than Ilford. I was struggling with some highlights on a couple prints last week and I agree with Tom that Multigrade is a little easier to transition the highlights while keeping the image snappy. I'm finding split-grade printing of 35mm negs to be easier with this paper. To me, tonal separation in the highlights is better with Ilford, but tonal separation in the lower tones is better with Adox MCC 110.

Overall, I like the paper so much that it has become the only FB paper in my darkroom right now. Print WA is my developer with this paper. About to crack open my fifth package of 11x14...

The richness of the lower tones are what really sets this paper apart. I like to have a good solid foot to my tonal range and this paper gives it to me without effort and without the mud.